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The racquet known as The Last Witness  originates from London and dates to the end of the 1870s. It is made of solid wood with an oval striking face, typical of English racquets produced during the final decades of the nineteenth century. The manufacturer remains unidentified, though the form and balance correspond to models used in early lawn tennis. The Last Witness, 1878 The piece was part of a London household destroyed during the Blitz, the sustained bombing campaign car

Demi-Paume racquets feature a distinct lopsided head with a pronounced downward angle. The stringing follows the trebling technique, where the cross strings are looped 360 degrees around the main strings. The handle is wrapped with leather, and the solid wooden frame reflects the craftsmanship of eighteenth-century makers. Garsault’s Demi-Paume, 1767 The racquet follows the design described by François-Alexandre-Pierre de Garsault  in 1767 . In his treatise Art du paumier-raq

Antonio Scaino, an Italian priest and theologian from Salò, completed Trattato del giuoco della palla  in 1555. The work was printed in Venice by Gabriel Giolito de’ Ferrari and his brothers, one of the leading publishing houses of the Renaissance. It is recognized as the earliest known treatise devoted entirely to the study of ball games in Europe. Scaino described the social context of play at the courts of Ferrara and Mantua and divided existing games into three main types