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Founded in the 19th century, the British company Jefferies & Co. was a pioneer in racquet manufacturing, trusted by Walter Clopton Wingfield, the founder of lawn tennis. Wingfield himself chose Jefferies to produce the first racquets for his groundbreaking game, Sphairistikè. A milestone in the sport's history. Jefferies & Co, 1884 Over the decades, Jefferies & Co became synonymous with craftsmanship and quality. Later known as Jeffries & Malings of Woolwich, the company merg

Vellum-covered battledores were produced in Europe during the first half of the nineteenth century. Racquets consisted of a wooden frame covered with a stretched sheet of vellum. The material was prepared from calf or goat skin and fixed tightly around the rim with small nails or tacks. The surface created a dry and distinct sound when the shuttlecock made contact. The wood was often ash or beech. Handles were short, straight, and sometimes wrapped with thin leather for bette

The game of battledore and shuttlecock was played with small racquets made from wooden frames that were either strung with natural gut, covered with vellum, or covered with leather. The head of these racquets was typically round or oval, the handle short. Strung battledores allowed for more precise and consistent play than solid or vellum-covered versions. 3 strung Battledores By the sixteenth century, battledore and shuttlecock had become a familiar pastime in Europe, partic

The antique real tennis racquet from the end of the eighteenth century features the classic lopsided head with a pronounced downward angle. The frame is made of solid hardwood, a material commonly used for racquet production throughout the eighteenth century. The stringing follows the trebling technique, where each cross string is looped completely around the main string. This method produced alternating surfaces on the string bed, one smoother and one rougher, which allowed

Demi-Paume racquets feature a distinct lopsided head with a pronounced downward angle. The stringing follows the trebling technique, where the cross strings are looped 360 degrees around the main strings. The handle is wrapped with leather, and the solid wooden frame reflects the craftsmanship of eighteenth-century makers. Garsault’s Demi-Paume, 1767 The racquet follows the design described by François-Alexandre-Pierre de Garsault  in 1767 . In his treatise Art du paumier-raq

Antique battledore. The Indo-German Legacy Racquet belongs to a tradition of equipment used for early forms of court tennis, a game that enjoyed popularity among European aristocracy from the Renaissance onward. Such racquets were characterized by a rounded wooden head with a loosely strung gut mesh, typical of early court tennis equipment used in aristocratic circles during the 16th and 17th centuries. The Indo-German Legacy Racquet, 1648 Evidence of this distinctive racquet

The game we now know as tennis took nearly a thousand years to evolve into its modern form. While some evidence suggests that early forms of ball games were played in ancient Egypt, Greece, and Rome, most historians trace its direct origins to French monasteries around the year 1000 AD. Here, monks played jeu de paume, the “game of the palm,” striking a wooden ball with the bare hand or with a simple leather glove across a rope stretched through the cloister courtyard. The ga

Factory-sealed Snauwaert Graphite Mid at the Berlin Tennis Gallery The Last Wooden Triumph: Miloslav Mecir’s Historic Victory On 19 March 1989, Miloslav Mecir – known as “The Big Cat”  for his effortless movement – defeated Yannick Noah in a memorable five-set battle at Indian Wells. It was a meeting between two remarkable milestones: Mecir, the last man to win a professional title with a racquet containing wood, overcame Noah, who had himself been the last player to win a Gr